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拉库雷斯来到研究王者之剑的地方，一个叫贝达利亚的研究员，表明她已经完成了王者之剑零式的研究。她希望拉库雷斯到时候能在她被处决后帮她善后。拉库雷斯向璃塔表明自己杀了贝达利亚，希望审判自己的罪行。然而审判中途，贝达利亚的尸体突然消失了。埋葬虫寄姆本想与拉库雷斯做研究成果与壁画之谜的交易，却被超王者零式击败。柯福奇继承了贝达利亚的研究，重投开始，拉库雷斯却在贝达利亚的骨灰当中发现了她最终的研究成果。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。