肖申克的救赎观后感800字

李氏原是一家资本雄厚、正派大企业的负责人，却因一次周转不灵，被迫动用黑道力量，以非法手段赚得厚利，渡过难关。从此便被黑道狠角青虎套牢，控制李氏父女。李氏独生女李琳在家庭遭此变故后，被迫与青虎同居，饱受折磨。而李氏又被青虎以毒品控制，李琳为了老父安危，忍辱偷生。 这时，一个自称火凤凰的神秘女郎出现了，她一再向青虎挑战，先是破坏青虎的非法交易，继而又出现在青虎新设的豪华赌场，以精妙赌技赢得巨款后捐给孤儿院。青虎众叛亲离，且无法偿还败战赌债，遂与火凤凰发生火拼。而火凤凰亦在枪林弹雨中香消玉殒。这时警方才发现火凤凰原来是为父复仇的……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。Series 2 (2000) The second series sees a deadly epidemic of nosebleeds grip the town's inhabitants, killing many. The plot is resolved after some confusion over the cause of the nosebleeds, involving butcher Hilary Briss' "special stuff", Benjamin Denton's escape from his relatives, and the murders in the Local Shop.。